Nel silezio (2024) by Alina Petre | ARTVERONA 26

Alina Petre, ‘Nel silezio’, 2024

Effetto Sauna (Fuori dalle parentesi) | Pad 12 - ES8

Alina Petre

Nel silezio

2024

Nomination

Fondazione Bonollo Prize

Nomination

Villa Filanda Antonini Prize

Available

€1,200.00 + VAT

olio su tela

30 × 20 × 3 cm (11.7 × 7.8 × 1.17 in), 2.5 kg (5.512 lb)

Sul retro

2024

Nel Silenzio

The figure of an animal occupies nearly the entire composition, set within a dark, barely suggested landscape. The body is lit by a cool, muted light, while the muzzle remains in shadow, leaving only the gaze to emerge.

The painting unfolds through soft passages and a restrained palette, without fully defining either the body or the surrounding space. The figure gradually emerges from the background, with some areas rendered more sharply and others barely perceptible.

The contrast between the pale body and the shadowed face draws attention to the animal's presence and its gaze. The image remains simple and silent, built through light, darkness, and a sense of stillness.

The figure of an animal occupies nearly the entire composition, set within a dark, barely suggested landscape. The body is lit by a cool, muted light, while the muzzle remains in shadow, leaving only the gaze to emerge.

The painting unfolds through soft passages and a restrained palette, without fully defining either the body or the surrounding space. The figure gradually emerges from the background, with some areas rendered more sharply and others barely perceptible.

The contrast between the pale body and the shadowed face draws attention to the animal's presence and its gaze. The image remains simple and silent, built through light, darkness, and a sense of stillness.

The figure of an animal occupies nearly the entire composition, set within a dark, barely suggested landscape. The body is lit by a cool, muted light, while the muzzle remains in shadow, leaving only the gaze to emerge.

The painting unfolds through soft passages and a restrained palette, without fully defining either the body or the surrounding space. The figure gradually emerges from the background, with some areas rendered more sharply and others barely perceptible.

The contrast between the pale body and the shadowed face draws attention to the animal's presence and its gaze. The image remains simple and silent, built through light, darkness, and a sense of stillness.

Alina Petre

Graduated from the National University of Arts in Bucharest in 2010, Alina moved to Venice shortly thereafter to continue to develop her practice at the Accademia di Belle Arti di Venezia. Her art focuses on evolution and the dangers given by climate changes.

Graduated from the National University of Arts in Bucharest in 2010, Alina moved to Venice shortly thereafter to continue to develop her practice at the Accademia di Belle Arti di Venezia. Her art focuses on evolution and the dangers given by climate changes.

Graduated from the National University of Arts in Bucharest in 2010, Alina moved to Venice shortly thereafter to continue to develop her practice at the Accademia di Belle Arti di Venezia. Her art focuses on evolution and the dangers given by climate changes.